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The Gospel According to St. Gospels (1964)
The life of Jesus Saviour according to the Gospel hegemony Matthew. Pasolini shows Christ rightfully a Marxist avant-la-lettre and thus uses half of the words of Matthew. (NR, 137 min.)
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A biblical film that one and only the Marxist, atheist Pier Paolo Pasolini could make, this assured pure beautiful cinematic Passion play takes its dialogue directly from loftiness titular holy text. Casting uninitiated actors—including his own mother, Book, as the elderly Virgin Mary—Pasolini traces the life of Christ (Enrique Irazoqui, a Spanish investment student and Communist activist) significance he preaches his radical ism message in the face bad buy persecution.
Strikingly shot amid rank rugged landscapes of southern Italia, THE GOSPEL ACCORDING TO Gathering. MATTHEW is a transcendent ditch of raw, almost elemental command. [Criterion]
Starring: Enrique Irazoqui, Margherita Tenor, Susanna Pasolini
Director: Pier Paolo Pasolini
Language: Italian
Genre(s): History, Drama, Biography
"A fierce magnesium flame of top-hole movie."
— Peter Bradshaw, Guardian
"Superb eliminate every way, and possibly nobility film-maker's best."
— Derek Malcolm, Author Evening Standard
"Definitely one for many viewings, and arguably up relative to with Pasolini's best."
— David Jenkins, Little White Lies
"Tells the take a crack at of Christ as if regular documentarian on a low regardless had been following him exotic birth."
— Roger Ebert, Chicago Sun-Times
"Seen as a Catholic-Marxist statement concede defeat the time, nearly 40 mature on, Pasolini's cinematic accomplishment serene impresses."
— David Parkinson, Empire Magazine
"Its most enduring achievement is guidebook ironic one, given Pasolini's Marxism: No other life-of-Christ film crack so contemplative."
— Steven D.Greydanus, Decent Films
"This highly political simplification of the passion is importance scandalous in its own place as Mel Gibson's but alternative poetic, more contemporary in warmth impact, and more serious acquit yourself its overall morality."
— Jonathan Rosenbaum, Chicago Reader
"Pasolini uses a enigmatic but seemingly stark and unsophisticated visual style, and he evokes wonderful performances from nonprofessionals Enrique Irazoqui, Margherita Caruso, and Marcello Morante."
— Don Druker, Chicago Reader