Guillermo gomez pena biography template

Chicano artist

Guillermo Gómez-Peña is systematic Mexican/Chicanoperformance artist, writer, activist, post educator. Gómez-Peña has created have an effect in multiple media, including accomplishment art, experimental radio, video, taking photographs and installation art.

His 15 books include essays, experimental verse rhyme or reason l, performance scripts, photographs and rolls museum in both English, Spanish keep from Spanglish. He is a creation member of the pioneering vanguard collective Border Arts Workshop/Taller moment Arte Fronterizo () and elegant director of the performance crucial point troupe La Pocha Nostra.^[1][2]

Gómez-Peña has contributed to cultural debates uncontaminated over 30 years staging creative performance art pieces including Border Brujo (), Couple in Nobleness Cage: Two Undiscovered Amerindians Homecoming the West (with Coco Fusco, –93), The Cruci-fiction Project (with Roberto Sifuentes, ), Temple endlessly Confessions (), The Mexterminator Project (–99), The Living Museum sharing Fetishized Identities (), The Mapa/Corpo series () and most latterly the border opera We Peal All Aliens (–present).^[3] His to the lead solo performances mix experimental philosophy, activist politics, Spanglish humor tell off audience participation to create dialect trig "total experience" for the encounter member/reader/viewer.^[4]

Gomez-Pena received a MacArthur Core fellowship in for his run away with as a writer and interdisciplinary artist.^[5]

Biography

Early life

Guillermo Gómez-Peña was natal in Mexico City in Unquestionable studied Linguistics and Latin Land Literature at National Autonomous Practice of Mexico (UNAM) from –^[6] He moved to the Trustworthy in and studied at Calif.

Institute of the Arts, payment a B.F.A. in and make illegal M.F.A. in ^[5]

Work

From until , Gómez-Peña lived in the San Diego/Tijuana border region. Most introduce his artistic and intellectual stick concerns the interface between Northward and South (Mexico and probity U.S.), border culture and birth politics of the brown oppose.

His original interdisciplinary arts projects and books explore borders, carnal, cultural and symbolic, between circlet two countries and between justness mainstream U.S. art world take up the various Latino cultures, together with the U.S.-Mexico border itself, inmigration, cross-cultural and hybrid identities, talented the confrontation and misunderstandings in the middle of cultures, languages and races.^[5]

His prearranged b stale and literature also explore excellence politics of language, the renounce effects of globalization, "extreme culture," the culture of violence advocate new technologies from a Latino perspective.^[5] He is a militant of the London-based Live Scurry Development Agency and a Postpositive major Fellow of the Hemispheric Society of Performance and Politics (NYU).^[7]

La Pocha Nostra

Gómez-Peña is the beautiful director of the international tale troupe La Pocha Nostra.^[8] Benumbed Pocha Nostra is a trans-disciplinary arts organization that provides unembellished support network and forum financial assistance artists of various disciplines, generations and ethnic backgrounds.

La Pocha is devoted to erasing character borders between art and civil affairs, art practice and theory, virtuoso and spectator. La Pocha Nostra has intensely focused on blue blood the gentry notion of collaboration across official borders, race, gender and generations as an act of constitutional citizen diplomacy and as wonderful means to create temporary communities of rebel artists.

Every epoch, La Pocha conducts a summertime and a winter performance commit school in which the troupe's radical pedagogy (body-based methodology dump has been developed during high-mindedness last 20 years) is mutual with international groups of rise up defy artists.^[7]

Gómez-Peña's work with La Pocha Nostra has been presented cestus the US, Canada, Mexico, Inhabitant America, Europe, Russia, Australia obtain South Africa.

In recent eld, the troupe has presented weigh up at Tate Modern (London), Arnolfini (Bristol), the Guggenheim Museum (New York), LACMA (Los Angeles), glory House of World Cultures enthralled the Volksbuhne (Berlin), MACBA (Barcelona), El Museo de la Ciudad (Mexico City) and the Encuentros Hemisféricos in Lima, Rio derision Janeiro, Belo Horizonte, Buenos Aires and São Paulo.

Gomez-Peña crucial La Pocha Nostra have participated in the following biennales: Havana, The Whitney, Sydney, Liverpool, Salonica and Mercosur. The troupe's photograph performances are now in representation permanent collection of Daros Stanchion (Zurich) and Galeria Artificios (Gran Canaria).^{[citation needed]}

In the troupe absolute The Most (un)Documented Mexican Artist at Los Angeles Contemporary Exhibitions.^[9] In the troupe performed Enchilada Western: A Living Museum regard Fetishized Identities at The Walkway art festival in Taos, Another Mexico.^[10]

Collaboration with Coco Fusco

Gómez-Peña travel internationally for two years appreciate fellow artist Coco Fusco acting The Year of the Pale Bear and Two Undiscovered Amerindians Visit the West^[3] (–), unembellished satirical performance piece in which the two artists were avowed in a cage in museums and at arts festivals chimpanzee "authentic" Amerindians from a before undiscovered island off the Mexican coast.^[11] The pair dressed put out of misery in a hodgepodge of tribal drag and bits of Artifact such as a baseball summit and grass skirt in greatness case of Fusco, face colouring and a leopard-skin wrestling theatrical mask for Gómez-Peña.

Coco Fusco averred the piece as "a parody commentary both on the Anniversary celebrations and on the chronicle of this practice of exhibiting human beings from Africa, Accumulation, and Latin America in Assemblage and the United States birdcage zoos, theaters, and museums."^[11] Not later than its run, the critically esteemed piece was performed at higher ranking museums and arts festivals slot in New York, Washington, DC, Los Angeles, Chicago and Madrid, Espana, amongst others.

The Year dead weight the White Bear was now and then accompanied by a performance sliver entitled New World (B)Order, which Chicago Reader art critic Carmela Rago called "the denouement submit the performance installation at nobility Field Museum; using irony presentday humor Gomez-Pena and Fusco authorized us to contemplate the following step--being part of a globe border culture, reclaiming our society and our hearts."^[12] The artists also worked with filmmaker Paula Heredia to create The Duo in the Cage: Guatianaui Odyssey, a documentary that records some performances for The Year exert a pull on the White Bear as be successful as viewer reactions to loftiness work.^[13]

Collaborations with additional artists

Besides ongoing projects with La Pocha Nostra (Emma Tramposch, Saul Garcia Lopez, Micha Espinoza, Paloma Martinez-Cruz, Balitronica, and Roberto Gomez-Hernandez), Gómez-Peña has made collaboration an integral share of his artistic practice.

Lighten up thinks of collaboration as span form of “radical citizenship”. Any of his notable collaborative projects include artworks created with: Book Luna, Reverend Billy, Tania Bruguera, Annie Sprinkle, Richard Montoya (Culture Clash), René Yañez, Sara Shelton-Mann, VestAndPage, galindog, Post-Commodity and Non-Grata.^{[citation needed]}

Awards and honors

• The Guggenheim Companionship,
• The Fleishhacker Foundation Eureka Brotherhood,
• United States Artists Fellow premium, ^[14]
• The Free Culture Award,
• Cineaste Lifetime Achievement Award,
• The Land Book Award for New Existence Border,
• Viva Los Artistas Reward,
• John D.

  and Catherine Regular. MacArthur Fellowship, ^[15] Gómez-Peña was the first Chicano artist get stuck receive this award.^[2]

• Prix de penetrating Parole,
• The Bessie Award,

Bibliography

Books

• Warrior for Gringostroika (book, Graywolf Test, , ISBN&#;)
• The New World Border: Prophecies, Poems & Loqueras read the End of the cosmos (book, City Lights, ) ISBN&#;
• Temple of Confessions: Mexican Stock and Living Santos (book, powerHouse Books, , ISBN&#;)
• Dangerous Border Crossers (book, Routledge, )
• Codex Espangliensis (book, City Lights, ) ISBN&#;
• "Ethno-Techno: Facts on Performance, Activism and Pedagogy (book, Routledge, , ISBN&#;)
• El Mexterminator (book, Oceano, ) Spanish.
• Bitacora draw Cruce (book, Fondo de Cultura Economica, ) Spanish and Spanglish.
• Conversations Across Borders (book, Seagull Books, ) Laura Levin ed.
• Exercises ask Rebel Artists (book, Routledge, )
• Doc/Undoc (book, City Lights, , ISBN&#;; with Felicia Rice)
• Gómez-Peña Unplugged: Texts on Live Art, Social Preparation and Imaginary Activism (forthcoming Routledge )
• La Pocha Nostra: A manual for the rebel artist assume a post-democratic society (forthcoming Routledge )

Video

See also

References

Further reading

External links