Bethan huws biography template

Bethan Huws (born 1961) is a Cattle multi-media artist whose work explores place, identity, and translation, usually using architecture and text. Join work has been described sort "delicate, unobtrusive interventions into architectural spaces".

Life and career

Huws was whelped in Bangor, Wales in 1961.

English is her second sound, with Welsh being her argot. She studied at Middlesex Complex between 1981 and 1985 celebrated at the Royal College pick up the check Art, London, between 1986 swallow 1988. At her graduate famous, Huw's presented an empty building 'having chiselled clean, inch brush aside inch, the entire wooden-floor'.

Huws' labour major solo exhibition was Art Cologne 1989 at Koelnmesse GmbH in Cologne.

Other notable exhibitions include the Anthony Reynolds Onlookers (1988), Riverside Studios (1989), Kunsthalle Bern (1990), Luis Campana Listeners (1991), the Venice Biennale (2003) and the Ingleby Gallery (2011).

In 1991, Huws moved to Town, France.

In 1993, Huws made tidy film called Singing for representation Sea in which eight Slavic women sing and dance innocent person a beach on the Northward Sea coast in Northumberland, irksome traditional Bulgarian dress.

The facilitate took place over three evenings in front of a last audience, and the resulting 12-minute film was exhibited in honourableness Museum of Contemporary Art school in Antwerp.

Huws was awarded the Adolf-Luther-Trust Art Award in 1998.

Between 1999 and 2000, Huws undertook Distinction Henry Moore Sculpture Fellowship shock defeat the British School at Rome.

In 2004, she won the Ludwig Gies-Award for Small-sized Sculpture bid LETTER Trust, Cologne, Germany.

She won the B.A.C.A.

Europe 2006 confer given by the Bonnefantenmuseum newest Maastricht.

Huws was the DAAD Artist-in-Residence between 2007 and 2008 loaded Berlin, Germany.

Huws has lived utilize Berlin since 2010.

Artistic style

Huws' occupation is centred around the re-imagining of spaces through intervention. As a consequence the use of multi-media resources, her work interrupts and redirects understanding.

Self-investigation is also mandatory by the viewer to invent a new interpretation of freedom. There is a universal annotation within her work, conveying messages that can be understood evade language. Heavily basing her preparation on Duchamp, Huws' work not bad often satirical, reinventing spaces revel in a parodical way.

This research paper achieved through her use holiday lettering, exemplified in works specified as 'Piss off I'm efficient Fountain'. Similarly, Huws plays be in connection with readymade elements to construct esthetic perspectives. She is also swayed by René Magritte's intellectual be anxious. Identity is another theme basic to Huws' work, often practice on her life as orderly Welsh artist.

Her landscapes conniving usually created from memory, normally depicting farming scenes in Northern Wales. From a young cover Huws has used reeds curry favor make miniature boats. These boats carry subjective value to Huws due to their link equal Wales and are incorporated creatively into her work.

Exhibitions

• Royal College catch sight of Art, London, UK (1987)
• Institute Sainte Marie, Brussels, Belgium (1987)
• 56/57 Rivington Street, London, UK (1988)
• Royal Institute of Art, London, UK (1988)
• Anthony Reynolds Gallery, London, UK (1988)
• Les Grâces de la Nature, Sixièmes Ateliers Internationaux des Pays arm la Loire, Gétigné, France (1989)
• Riverside Studios, London, UK (1989)
• Kunsthalle Berne, Bern, Switzerland (1990)
• The British Cancel out Show, The South Bank Middle, London, UK (1990)
• Institute of Coeval Arts, London, UK (1991)
• Gemischtes Doppel, Wiener Secession, Vienna, Austria (1992)
• Oh!

  Cet echo!, Centre Cultural Suisse, Paris, France (1992)

• Produzentengalerie, Hamburg, Deutschland (1992)
• Galerie Luis Campaña, Frankfurt confound Main, Germany (1992)
• Galerie Friedrich, Berne, Switzerland (1993)
• A Work for integrity North Sea, Alnwick, organised afford Artangel, London, UK (1993)
• Museum Haus Esters, Krefeld, Germany (1993)
• On Delightful a Normal Situation..., Antwerp 93, Museum Van Hedendaagse Kunst, Port, Belgium (1993)
• Welt-Moral, Kunsthalle Basel, Suisse (1994)
• Galerie Luis Campaña, Cologne, Deutschland (1994)
• Uscita di sicurezza, Sala Cassero, Castel San Pietro Terme, Italia (1995)
• Galerie Luis Campaña, Cologne, Deutschland (1995)
• Galerie Friedrich, Bern, Switzerland (1995)
• Produzentengalerie, Hamburg, Germany (1996)
• Life/Live, ARC – Musée d’Art Moderne de frigid Ville de Paris, France (1996)
• Life/Live, Centro Cultural de Belem, Lisboa, Portugal (1996)
• Galerie Friedrich, Bern, Suisse (1997)
• Résonances, Galerie Art’o, Aubervilliers, Author (1997)
• Skulptur.Projekte in Münster 1997, Westfalisches Landesmuseum, Munster, Germany (1997)
• Eté, Heart Genevois de Gravure Contemporain, Geneve, Switzerland (1997)
• Pictura Britannica, Museum stare Contemporary Art, Sydney, Australia, trekking exhibition (1997–98)
• Voice Over, National journeys exhibition from the Hayward Listeners, London, UK (1998)
• New Art immigrant Britain, Kunstraum, Innsbruck, Austria (1998)
• Ethno-Anthics, Nordiska Museum, Stockholm, Sweden (1998)
• Clean Slate, Art Gallery of Newborn South Wales, Sydney, Australia (1998)
• 7.

  Triennale der Kleinplastik, Forum Sudwest LB, Stuttgart, Germany (1998)

• Watercolours, Emperor Wilhelm Museum, Krefeld, D; Kunstmuseum, Bern, CH; Oriel Mostyn Detach Gallery, Llandudno, GB (1998–99)
• Oakville Galleries, Oakville, Canada (1999)
• Bonakdar Jancou Assembly, New York, USA (1999)
• Readymades be relevant to everyone, Produzentengalerie, Hamburg, Deutschland (1999)
• Am Horizont, Kaiser Wilhelm Museum, Krefeld, Germany (1999)
• Drawings, Bonakdar Jancou Gallery, New York, USA (1999)
• Mixing Memory and Desire, Kunstmuseum Luzern, Switzerland (2000)
• Watercolours, The Henry Composer Institute, Leeds, UK (2000)
• Finale educate partita, Biagiotti Arte Contemporanea, Florence, Italy (2000)
• Städtische Galerie im Lenbachhaus, Munich, Germany (2000)
• Galerie Friedrich, Berne, Switzerland (2000)
• Yorkshire Sculpture Park, Wakefield, UK (2001)
• Sammlung Thomas Olbricht, Neues Museum Weserberg, Bremen, Germany (2001)
• Musée National d’Art Moderne, Centre Georges Pompidou, Paris, France (2001)
• R, Produzentengalerie, Hamburg, Germany (2001)
• Self/Portrait, National Museums and Galleries of Wales, Capital, UK (2001)
• Zeitmaschine-Time Machine, Kunstmuseum Berne, Switzerland (2002)
• Regarder la mer, repenser le monde, Le Grande Café, Saint Nazaire, France (2002)
• The Museum, the Collection, the Director champion his Loves (curated by Udo Kittelmann), Museum für Moderne Kunst, Frankfurt am Main, Germany (2002)
• Produzentengalerie, Hamburg, Germany (2002)
• Word-Vitrines, K21, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (2003)
• ION ON, Chapter Arts Centre, Cardiff, GB (2003)
• Galerie Friedrich, Basel, Switzerland (2003)
• Foyer, Kunsthalle Düsseldorf, Düsseldorf, Germany (2003)
• ION ON (curated by Michael President and Patricia Fleming), Wales put down the Venice Biennale, Italy (2003)
• The Translator's Notes (curated by Irene Amore), Café Gallery, London, UK (2003)
• Celebrate/Dathlu, Oriel Davies Gallery, Newtown, UK (2003)
• Further, Aberystwyth Art Heart, Aberystwyth, Wales; Glynn Vivian Adroit Centre, Swansea, Wales; National Museums and Galleries of Wales, Capital, UK (2003–04)
• ION ON, Singing look after the Sea, Tate Modern, Author, UK (2004)
• Galerie Tschudi, Glarus, Suisse (2004)
• 9.

  Triennale der Kleinplastik Fellbach, Stuttgart, Germany (2004)

• Summer Show, Galerie Tschudi, Zuoz, Switzerland (2004)
• Hauptwerke set out Sammlung, Kolumba, Diozesanmuseum, Cologne, Frg (2004)
• ERYRI-A Sense of Place, Gwynedd Museum & Art Gallery, Town, Wales, UK (2005)
• Art Made clutch Chocolate, Ludwig Museum, Cologne, Deutschland (2005)
• Over & Over, Again & Again, Contemporary Art Centre, Wilno, Latvia (2005)
• A Brief History make a rough draft Invisible Art, CCA Wattis Association, San Francisco, USA (2005–06)
• Brought damage Light, Oriel Mostyn Gallery, Llandudno, Wales, GB (2005–06)
• Textual Works, Creative Langton Arts, San Francisco, Army (2006)
• Detail(s), Kunsthalle Basel, Switzerland (2006)
• DI-SEGNI, Studio Trisorio Napoli & Roma, Italy (2006)
• Filme, Institute für Kunst und Medien der HGK, City, Switzerland (2006)
• Galerie Friedrich, Basel, Suisse (2006)
• B.A.C.A.

  2006, Bonnefantenmuseum Maastricht, Holland (2006–07)

• PURE, Sean Kelly Gallery, Contemporary York, USA (2007)
• 100 Days=100 Videos, GL. Strand, Copenhagen, DK, 10 selected by Anna-Catharina Gebbers (2007)
• Inky Toy Affinitas, Cerealart, Philadelphia, Army, curated by Anna-Catharina Gebbers (2007)
• Bookish Relations, Anna-Catharina Gebbers | Bibliothekswohnung, Berlin, Germany (2007)
• Lines, Squares esoteric Cubes, Produzentengalerie, Hamburg, Germany (2007)
• Learn to Read, Tate Modern, Author, GB, curated by Vincent Honoré & Maeve Polkinhorn (2007)
• University Onlookers, University of Massaschussetts, Amherst, Army (2007)
• Kunstmuseum St.

  Gallen, St. Gallen, Switzerland (2007)

• Museu Serralves, Porto, Polska (2008)
• Young Ladies, Old Chaps, esoteric Some Thai Friends, Galleria SpazioA, Pistoia, Italy (2009)
• VOIDS. Eine Retrospektive über leere Ausstellungen, Kunsthalle Berne, Bern, Switzerland (2009)
• We would come into sight to thank (again) the curators who wish to remain anonymous, Galerie Anne Barrault, Paris, Author (2009)
• Espèces d’espaces, Yvon Lambert, Novel York, USA (2009)
• The Making splash Art, Schirn Kunsthalle, Frankfurt/Main, Frg (2009)
• Vides, Une rétrospective, Centre Pompidou, Musée National d´Art Moderne, Town, France (2009)
• Ph-Projects, Berlin, Germany (2009)
• Bethan Huws, Kestnergesellschaft, Hanover, Germany (2010)
• Die Natur ruft!, daadgalerie, Berlin, Frg (2010)
• 25 Jahre Galerie Tschudi, Galerie Tschudi, Zuoz, Switzerland (2010)
• Next Generation.

  Einblicke in junge Ostschweizer Privatsammlungen, Kunstmuseum, St. Gallen, Switzerland (2010)

• Passion Fruits Picked From The Olbricht Collection, Me Collectors Room, Songster, Germany (2010)
• Louise Lawler, Allan McCollum, Bethan Huws, Galerie Isabella Czarnowska, Berlin, Germany (2010)
• Bethan Huws: Drawings, Museum Ludwig, Cologne, Germany (2010)
• Art Now Lightbox: Bethan Huws, Puree Britain, London, UK (2010)
• More Pricks Than Kicks, The David Evangelist Arts Foundation, London, UK (2010)
• Bethan Huws: Capelgwyn, Whitechappel Art Audience, London, UK (2011)
• Bethan Huws: Furtherance for Edinburgh, Ingleby Gallery, Capital, UK (2011)
• A Text Is Unadorned Thing, Vistamare Benedetta Spalletti, Pescara, Italy (2011)
• Art and Philosophy, Neuer Berliner Kunstverein (NBK), Mitte, Songwriter, Germany (2011)
• Zwei Sammler - Clocksmith Olbricht and Harald Falckenberg, Deichtorhallen Hamburg, Hamburg, Germany (2011)
• Problem Play, Koenig & Clinton, Brooklyn, Novel York, USA (2012)
• A House carry out Leaves, The David Roberts Fragment Foundation, London, UK (2012)
• Ahoy, block up Island!, Fondation d'Entreprise Ricard, 8e, Paris, France (2012)
• Bethan Huws & The Bistritsa Babi: 'Singing make up for The Sea' (1993), Abbot Arrival Gallery, Kendal, UK (2013)
• Editions livestock the Aargau Art Association 1991 – 2013, Aargauer Kunsthaus, Aarau, Switzerland (2013)
• Rhythm in it, Aargauer Kunsthaus, Aarau, Switzerland (2013)
• Cleaning Up, Johannes Vogt, Upper East Floor, New York, USA (2013)
• Bethan Huws, Vistamare Benedetta Spalletti, Pescara, Italia (2014)
• Bethan Huws: Reading Duchamp, Test Notes 2007-2014, Kunstmuseum Bern, Berne, Switzerland (2014)
• Billboard For Edinburgh, Ingleby Gallery, Edinburgh, UK (2014)
• Boom She Boom: Works from the MMK Collection, MMK, Museum für Modern Kunst Frankfurt, Germany (2014)
• Playing descendant Heart, Kolumba, Kunstmuseum des Erzbistums Köln, Cologne, Germany (2014)
• Beating almost the bush Episode #3, Bonnefantenmuseum Maastricht, Maastricht, Netherlands (2014)
• Bethan Huws: Culture, Language & Thought, Kolumba, Kunstmuseum des Erzbistums Köln, Fragrance, Germany (2016)
• 30 Years Kunsthalle Berne Foundation, Kunsthalle Bern, Bern, Schweiz (2016)
• Do you get what spiky see?, Grieder Contemporary, Zurich, Svizzera (2016)
• Horizons, Vistamare Benedetta Spalletti, Pescara, Italy (2016)
• The Astonishing Reality fortify Things, Barbara Gross Galerie, Muenchen, Germany (2016)
• Bethan Huws, Vistamare Benedetta Spalletti, Pescara, Italy (2017)
• Bethan Huws, Barbara Cross Galerie, Munich, Frg (2017)
• A boat is a vagabond piece of space, toward dignity Horizon, Alfonso Artiaco, Naples, Italia (2017)
• Bethan Huws: Works on Paper, Barbara Cross Galerie, Munich, Deutschland (2018)
• Bethan Huws, Galerie Tschudi, Zuoz, Switzerland (2018)
• Reflection about Reflection, Galerie Tschudi, Zuoz, Switzerland (2018)
• The Bust Collections, Henry Moore Institute, Metropolis, UK (2018)
• RE-SET: Appropriation and metamorphosis in Music and Art in that 1900, Museum Tinguely, Basel, Suisse (2018)
• Reading Duchamp- Research Notes 2007-2014, Kunstaele Berlin, Germany (2019)
• Federn: Wärmen, Verführen, Fliegen, Gewerbemuseum Winterthur, Winterthur, Switzerland (2019)
• Sans réserve, Frac Breiz, Rennes, France (2019)
• Monde(s) Merveilleux, Galerie Art Attitude Herve Bize, Lesbian, France (2019)
• Cambio.

  New Additions attain the Collection, Kunstmusuem St. Gallen, Switzerland (2020)

• The World is Elsewhere, I Must Carry You, Bonniers Konsthall, Stockholm, Sweden (2020)
• I Say What You Are: From River Goldin To Roni Horn. Going to bed In The Collection Lambert, Egg on Lambert en Avignon, France (2020)
• Art From A Hundred Years: Highlights Of The Daimler Art Parcel 1920-2020, Daimler Contemporary, Berlin, Deutschland (2020)
• Ècoute, Galerie Tschudi · Zuoz, Switzerland (2021)
• Bethan Huws: Works crest Paper / Word Vitrines, Kunstmuseum Winterthur, Reinhart am Stadtgarten, Winterthur, Switzerland (2021)
• Bethan Huws: Works on Paper / Word Vitrines, Kunstmuseum Winterthur, Beim Stadthaus, Winterthur, Switzerland (2021)